![]() As it goes down it pulls back down to the bottom C. Notice that when you play the full scale, on the way up it feels like it is pulling towards the top C, in this case. As it decends, it's a plain old natural minor scale a lowered 3rd, 6th, and 7th. In it's acending form the only lowered note is the 3rd. The Melodic Minor Scale is a Major Scale with a flat 3rd (b3) and its used mostly in its modal forms of the Altered Scale (Superlocrian) and the funky Lydian Dominant. Although each of these forms of itself comprises seven pitches, together they comprise nine, which might seem to call into question the scales status as a heptatonic scale. What's interesting about this scale is that it's different going up than it is coming down. In traditional classical theory, the melodic minor scale has two forms, as noted above, an ascending form and a descending form. The melodic minor scale, as it's name implies, is used mainly in melodic lines. To learn how it's implemented check out the chords section. Just think of the harmonic minor being used for it's harmonic functions. The most common use of the harmonic minor scale presents itself in chord progressions in a minor key. Also, you'll notice scale has an exotic sound, particularly between the Ab and B. Here is a simple step-by-step process to. No letter names will be repeated or skipped. ![]() Now, in this case the C harmonic minor scale, the B natural acts as a leading tone up to the C and emphasises it as a final note. Like the natural minor scale, the melodic minor is a diatonic scale. The harmonic minor scale is just like the natural minor only without the lowered 7th. Just remember: the relative minor scale is built from the major scale's sixth degree.įor a visual helper check out the circle of fifths. ![]() Understanding this concept will save you loads of time when learning scales since once you know the major scales in all keys you'll also know all the natural minor scales. ![]() Because of this relationship relative minor scales share the same key signature as their major counterparts and vice versa. It's also true to say that the C major scale is the relative major of A minor it can go both ways. The A minor scale is called the relative minor scale of the C major scale. These scales are actually the same! The only difference is the A minor scale starts on the sixth note of the C major scale. (The descending melodic minor scale is the same as the natural minor. If you're looking at the formula for the natural minor scale above and thinking to yourself “I've seen this before” then you're on to something! Check out this comparison between the A natural minor and the C major scales below: Natural Minor & Major Scale Comparison On the way down, lower the 6th & 7th scale degrees a step to their original pitches. Here's the one for the natural minor scale: Natural Minor Scale FormulaĪnd here's what the C natural minor scale looks like: Melodic minor scale definition: a minor scale modified from the natural by the sharpening of the sixth and seventh when. ![]() As before with the major scales, you can figure out any natural minor scale (or any scale for that matter) by knowing it's ‘interval formula'. Minor scales provide a darker, and often more complex sound than major scales. Also, most of the time when we refer to a ‘minor' scale we're generally referring to the natural minor. By altering these notes we also change the intervals which make up the scale. Or let it write your basslines.The natural minor scale can be thought of as a major scale with the 3rd 6th and 7th notes lowered by one half step. Let TranceEngine turn your chords into driving arpeggios and melodies. ![]()
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